Wilde, Oscar (Oscar Fingal O'Flahertie Wills Wilde), –, Irish author and wit, b. Dublin. He is most famous for his sophisticated, brilliantly witty plays, which were the first since the comedies of Sheridan and Goldsmith to have both dramatic and literary merit Dec 12, · Oscar Wilde’s well-known legacy pervades his many published essays, plays and his novel The Picture of Dorian Gray. While Wilde was a larger-than-life figure in his time, due to his many witticisms and social standing, he is now regarded as one of the greatest producers of Irish literature Born in Dublin on 16 October , Oscar Wilde was a flamboyant and sparklingly witty Anglo-Irish playwright, poet and critic. ‘I put all my genius into my life, I put only my talent into my books’, he said to the French writer André Gide. Wilde shone at both Trinity College, Dublin and
Biographies of Oscar Wilde - Wikipedia
The philosophical foundations of Aestheticism were formulated in the eighteenth century by Immanuel Kant, who spoke for the autonomy of art. Art was to exist for its own sake, for its own essence or beauty, oscar wilde essays. The artist was not to be concerned about morality or utility or even the pleasure that a work might bring to its audience. Aestheticism was supported in Germany by J, oscar wilde essays.
von Goethe and in England by Samuel Taylor Coleridge and Thomas Carlyle. Benjamin Constant first used the phrase l'art pour l'art French, meaning "art for art," or "art for art's sake" in ; Victor Cousin popularized the words that became a catch-phrase for Aestheticism in the s. French writers such as Théophile Gautier and Charles-Pierre Baudelaire contributed significantly to the movement.
Oscar Wilde did not invent Aestheticism, but he was a dramatic leader in promoting the movement near the end of the nineteenth century. Wilde was especially influenced as a college student by the works of the English poet and critic Algernon Charles Swinburne and the American writer Edgar Allan Poe.
The English essayist Walter Pater, an advocate of "art for art's sake," helped to form Wilde's humanistic aesthetics in which he was more concerned with the individual, the self, than with popular movements like Industrialism or Capitalism. Art was not meant to instruct and should not concern itself oscar wilde essays social, oscar wilde essays, moral, or political guidance.
Like Baudelaire, Wilde advocated freedom from moral restraint and the limitations of society. This point of view contradicted Victorian convention in which the arts were supposed to be spiritually uplifting and instructive, oscar wilde essays. Wilde went a step further and stated that the artist's life was even more important than any work that he produced; his life was to be his most important body of work.
The most important of Oscar wilde essays critical works, oscar wilde essays, published in Mayis a volume titled Intentions, oscar wilde essays. It consists of four essays: "The Decay of Lying," "Pen, Pencil oscar wilde essays Poison," "The Critic as Artist," and "The Truth of Masks. Wilde called it a "trumpet against the gate of dullness" in a letter to Kate Terry Lewis.
The dialogue, which Wilde felt was his best, oscar wilde essays, oscar wilde essays place in the library of a country house in Nottinghamshire. The participants are Cyril oscar wilde essays Vivian, oscar wilde essays were the names of Wilde's sons the latter spelled "Vyvyan", oscar wilde essays.
Almost immediately, Vivian advocates one of the tenets of Wilde's Aestheticism: Art is superior to Nature. Nature has good intentions but can't carry them out. Nature is crude, monotonous, and lacking in design when compared to Art.
According to Vivian, man needs the temperament of the true liar" with his frank, fearless statements, his superb irresponsibility, his healthy, natural disdain of proof of any kind! It is a biographical essay on the notorious writer, murderer, and forger Thomas Griffiths Wainewright, who used the pen name "Janus Weathercock. Wilde's approach is that Wainewright's criminal activities reveal the soul of a true artist.
The artist must have a "concentration of vision and intensity of purpose" that exclude moral or ethical judgment. True aesthetes belong to the "elect," as Wilde calls them in "The Decay of Lying," and are beyond such concerns. As creative acts, there is no significant difference between art and murder. The artist often will conceal his identity behind a mask, but Wilde maintains that the mask is more revealing than the actual face, oscar wilde essays.
Disguises intensify the artist's personality. Life itself is an art, and the true artist presents his life as his finest work. Wilde, who attempted to make this distinction in his own life through his attempts to re-create himself, includes this theme in The Picture of Dorian Gray. The longest of the essays in Intentions, "The Critic as Artist," first appeared in two parts July and September with the significant title, "The True Function and Value in Criticism; With Some Remarks on the Importance of Doing Nothing: A Dialogue.
Arnold's position is that the creative faculty is higher than the critical. The central thesis of Wilde's essay is that the critic must reach beyond the creative work that he considers. The setting of the dialogue is a library in a house in London's Piccadilly area overlooking Green Park, and the principal characters are Gilbert and Ernest.
Along with the central theme of the importance of the critic, Gilbert espouses the significance of the individual. The man makes the oscar wilde essays the times do not make the man. Further, he advocates that "Sin is an essential element of progress. Rules of morality are non-creative and, thus, evil. The best criticism must cast off ordinary guidelines, especially those of Realism, and accept the aesthetics of Impressionism — what a reader feels when reading a work of literature rather than what a reader thinks, or reasons, while reading.
The critic must transcend literal events and consider the "imaginative passions of the mind, oscar wilde essays. Wilde takes the opposite position. More important within the context of Intentions, Wilde himself always put great emphasis on appearance and the masks, or costumes, with which the artist or individual confronts the world.
Wilde also raises the question of self-contradiction. In art, he says, there is no such thing as an absolute truth: "A Truth is that whose contradictory is also true. In "Song of Myself," Whitman writes, oscar wilde essays, "Do I contradict myself? In it, Wilde expresses his Aesthetics primarily through the emphasis that the essay oscar wilde essays on the individual. In an unusual interpretation of socialism, Wilde believed that the individual would be allowed to flourish under the system.
He thus warns against tyrannical rulers and concludes that the best form of government for the artist is no government at all. In this essay, it's easy to see that Wilde loved to shock. If Walt Whitman wanted to wake the world with his "barbaric yawp," Wilde preferred aphorisms, paradox, irony, and satire. While Wilde wouldn't want to be oscar wilde essays of sincerity, he was certainly devoted to Aestheticism in his life as well as his art.
Previous Oscar Wilde Biography. Next On Tour: Lectures in America Oscar wilde essays book from your Reading List will also remove any bookmarked pages associated with this title. Are you sure you want to remove bookConfirmation and any corresponding bookmarks? Literature Notes Test Prep Study Guides. The Picture of Dorian Gray Oscar Wilde. Oscar wilde essays Literature Notes The Picture of Dorian Gray Oscar Wilde's Aesthetics.
Table of Contents All Subjects Book Summary About The Picture of Dorian Gray Character List Summary and Analysis Preface Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapters Chapter 14 Chapter 15 Chapter 16 Chapters Chapters Oscar Wilde Biography Critical Essays Oscar Wilde's Aesthetics On Tour: Lectures in America Three Trials: Oscar Wilde Goes to Court Study Help Quiz Full Glossary for The Picture of Dorian Gray Essay Questions Cite this Literature Note.
Critical Essays Oscar Wilde's Aesthetics. Book Summary About The Picture of Dorian Gray Character List Summary and Analysis Preface Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapters Chapter 14 Chapter 15 Chapter 16 Chapters Chapters Oscar Wilde Biography Critical Essays Oscar Wilde's Aesthetics On Tour: Lectures in America Three Trials: Oscar Wilde Goes to Court Study Help Quiz Full Glossary for The Picture oscar wilde essays Dorian Gray Essay Questions Cite this Literature Note.
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The Truth About What Oscar Wilde Looked Like
, time: 9:24TOP 25 QUOTES BY OSCAR WILDE (of ) | A-Z Quotes
Wilde, Oscar (Oscar Fingal O'Flahertie Wills Wilde), –, Irish author and wit, b. Dublin. He is most famous for his sophisticated, brilliantly witty plays, which were the first since the comedies of Sheridan and Goldsmith to have both dramatic and literary merit Dec 12, · Oscar Wilde’s well-known legacy pervades his many published essays, plays and his novel The Picture of Dorian Gray. While Wilde was a larger-than-life figure in his time, due to his many witticisms and social standing, he is now regarded as one of the greatest producers of Irish literature Born in Dublin on 16 October , Oscar Wilde was a flamboyant and sparklingly witty Anglo-Irish playwright, poet and critic. ‘I put all my genius into my life, I put only my talent into my books’, he said to the French writer André Gide. Wilde shone at both Trinity College, Dublin and
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